WHEN WE STOP
LAYERS
![](https://freight.cargo.site/t/original/i/c2e4fbb4d9c946b450de424368e1c7991721ed472178c1c65856946d34145d8d/Screen-Shot-2022-06-22-at-14.16.51.png)
![](https://freight.cargo.site/t/original/i/34494a4cc22313e040f9d4ad7f1be2a0a3bd2837972be4a089b8e06f678d9926/Screen-Shot-2022-06-22-at-14.16.13.png)
![](https://freight.cargo.site/t/original/i/80059471ffa7ee5f4d5f24b964356bf6aa17fcdd67687efd135e8a1e1dcfde28/Screen-Shot-2022-06-22-at-14.15.21.png)
/// 2:48 minutes /// 2021
Screened at EYE Filmmuseum 2022
Can you touch something without really touching it? Through using multiple layers I wanted to change the setting, without being directly involved in the setting itself. Following the shape of the body, as a colouring page.
Screened at EYE Filmmuseum 2022
Can you touch something without really touching it? Through using multiple layers I wanted to change the setting, without being directly involved in the setting itself. Following the shape of the body, as a colouring page.
LAYER
![](https://freight.cargo.site/t/original/i/acc75201e4991932e946bff88fd6dcebebf2cb50d95d2a17cc78e64445c32426/Screen-Shot-2022-02-27-at-14.58.16.png)
Video still ‘‘Layer’’
2:40 minutes /// 2022
Part of a diptych filminstallation at EYE Filmmuseum 2022
A screen of 2 by 2 meters is lifted from the ground and creates a surreal setting in a field. Working in an analog way to balance between the ‘real’ and ‘unreal’.
Click here to see the video (mute)
︎
2:40 minutes /// 2022
Part of a diptych filminstallation at EYE Filmmuseum 2022
A screen of 2 by 2 meters is lifted from the ground and creates a surreal setting in a field. Working in an analog way to balance between the ‘real’ and ‘unreal’.
Click here to see the video (mute)
︎
KLOKKENHOF
![](https://freight.cargo.site/t/original/i/339fb8cfff81ba275c693a9bcb56305116f72302bc1aa71a1bff8609e2a4ef3c/Screen-Shot-2022-06-22-at-14.11.58.png)
Two lightboxes with photograps of a building on the oposite side of my house /// 2021 /// 25x35cm